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Congregational music-making is a vital and vibrant practice within Christian communities worldwide. Music can both unite and divide: at times, it brings together individuals and communities across geographical and cultural boundaries while, at others, it divides communities by embodying conflicting meanings and symbolizing oppositional identities. Many factors influence congregational music in its contemporary global context, posing theoretical and methodological challenges for the academic study of congregational music-making. Increasingly, coming to a robust understanding of congregational music's meaning, influence, and significance requires a mixture of complementary approaches.
Including perspectives from musicology, religious and theological studies, anthropology and sociology of religion, media studies, political economy, and popular music studies, this series presents a cluster of landmark titles exploring music-making within contemporary Christianity which will further Congregational Music Studies as an important new academic field of study.